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The RA has mounted an exhibition that tells an intriguing and judicously edited story about the renowned Swiss practice, writes Daniel Elsea
Making an exhibition is as much an exercise in storytelling as it is in editing the telling of a story. And the new exhibition at the Royal Academy of Arts on Herzog & de Meuron proves this point.
What is intriguing about it is how little of the practice’s work is covered when one thinks of the expansive oeuvre of Herzog & de Meuron. Their output is prolific. I count 594 projects on their website; the practice boasts 600 architects on its payroll. Yet this exhibition gives a light touch overview of fewer than 30 projects, and then going in depth into just a couple of those.
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