Building study: Jamie Fobert Architects and Purcell’s National Portrait Gallery refurbishment

collage

Britain’s most establishment art gallery has reinvented itself as a palace of inclusion. Is it a success?

A set of three towering bronze doors greets you as you walk up to the new front entrance of the transformed National Portrait Gallery. On these newly commissioned portals are etched 45 portraits drawn by the artist Tracey Emin. Representing women of all ages and ethnicities, they are intended to counterbalance the line-up of men depicted on roundels above the first-floor windows. 

This content is available to registered users | Already registered?Login here

You are not currently logged in.

To continue reading this story, sign up for free guest access

Existing Subscriber? LOGIN

REGISTER for free access on selected stories and sign up for email alerts. You get:

  • Up to the minute architecture news from around the UK
  • Breaking, daily and weekly e-newsletters

 

Subscribe to Building Design and you will benefit from:

Gated access promo

  • Unlimited news
  • Reviews of the latest buildings from all corners of the world
  • Technical studies
  • Full access to all our online archives
  • PLUS you will receive a digital copy of WA100 worth over £45

Subscribe now for unlimited access.