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BRAVO RENZO! It’s a curious construction. Stuck into a plot that is too small for it and mainly surrounded by West End side streets, it erupts into facades of different colours, dwarfing the majority of buildings surrounding it. Its faces are bright and cheerful; the horizontals of its windows and louvers crisscross the verticals to feel symmetric despite the contrasts of its angles and dimensions. Odd. I’m not that accustomed to being stopped in my tracks by modern buildings these days. Very rarely does a new development have this effect and, usually, only because it is a) neck breaking in scale, particularly height; b) a folly of humorous proportions, juxtaposed and marvellous in true surreal fashion; or c) original, groundbreaking, maybe contextualised into its environment. Central Saint Giles is not one of these but a slight combination of all of them.

Although others begrudge it I think it both titillates and titivates, and as such is a superb achievement. What with London Bridge’s Shard of Glass soon set to be a growing feature on the Southbank skyline, Lords Foster and Rogers will be looking over their shoulders and clasping their mantles of London leading architect tight.